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Family Christmas 2011

Here are some of the elements from this year’s Christmas Program.

Drummer Boy

We decided to take a cue from Church on the Move‘s production, Celebrate with Family and were inspired by their 2010 opener Drummer Boy. We kicked off our 2011 show with this awesome Drummer Boy arrangement. We decided to add a short monologue at the beginning to set the mood. The Band did such a great Job.

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Wanna Ride in the Sleigh

The top of the show was packed with a ton of excitement and humor. Check out this Burno Mars Grenade parody: “Wanna Ride in the Sleigh” Watch the video to find out how far one deranged christmas lover will go to ride in santas sleigh.

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“Behind the Scenes”

Every year we put so much effort into “A Family Christmas” So we put together this satirical “Behind the Scenes Look” at the planing process.

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Elf on the Street

Yes ladies and gentlemen he’s back! Peter, I mean Buddy, the elf is back from last years opener. This time around we took the king of Christmas cheer to downtown Pittsburgh to see if what kind of Christmas cheer our city had. Coincidentally the ice rink at PPG was hosting a mascot skate. There were dozens of local and national mascots on hand taking pictures, skating, and hanging with the kiddos. Let’s just say we used this to our advantage, and the elf may have crashed the mascot party, including getting announced over the PA system along with all the other Mascots. Oh yeah, and the elf meets a very special lady friend towards the end of the video so you will want to watch the whole thing.

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The Christmas Story

Thanks to the kind folks over at Northpoint Media we were inspired by one of their videos from last year featuring some youngsters reciting the Christmas story from the bible.

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Jesus is Love: Opener

I had a lot of fun making this opener with my lovely wife. This opener is from our series Jesus Is where we are unpacking some of the truths about who Jesus is. We have been trying to keep the look and feel very spring like, it has been hard trying to shoot outdoors when it snows one day and then there is a torrential downpour the next. Somehow I have been finding days that have been bright and sunny. Now all I need is some of the foliage to start blooming. I am sick of shots with dead plants.

This was shot with a Canon 7d using a Tokina 16-50 2.8 lens.

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Conan O’Brien Kinetic Typography

Last April I posted about Conan O’Brien’s farewell speech. Well, apparently I wasn’t the only one inspired. check out this kinetic typography someone produced.

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Christmas Program Videos

This Christmas season, Victory Family Church decided to revamp their Christmas program. In addition to spectacular musical performances, we decided to add a ton of humor, drama, video content, and an amazing set design.

In this post, I will break down 3 of the video elements that made up the program. Hopefully this will help give some of you inspiration for your future programs, and if you see anything you like please feel free to download it, or use it.

Elf Opener


Our new worship Pastor, Peter Penrose, arrived sometime around September, and we quickly found out the Elf was one of his favorite movies. After the painstaking process of convincing him that he needed to be Elf for the Christmas program, we developed the story of Elf trying to make his way to our church after being invited to the Christmas program. He also showed up live and sang some songs as elf.

We shot the opener over 2 days, in several locations, with a crew of 3 (myself, and 2 others), and a mixture of equipment we own (Canon 7d, Tokina 16-50mm 2.8 Lens, Canon 50mm Lens) and some that we rented from borrowlenses.com (RedRock Shoulder Mount/Follow Focus, Merlin Steadicam, Matthews Suction Cup, Canon 50mm 1.4 Lens, Vari ND Filter, Marshall Monitor, Zoom H4 Recorder).

One of the more difficult shots was when we used the Matthews suction cup to mount the 7D to a car to shoot the smart car sequence. I sat in the passenger seat with the 7  inch Marshall monitor on my lap.

 

 

 

 

 

Needless to say, Elf was a rockstar everywhere we went. Everyone wanted a picture with him (including me).

 

Brad Malone’s Story


In order to include the children in the program, one hurdle we had to overcome was getting them into the sanctuary. In one of our meetings, a story my friend Brad told me popped into my head. Brad agreed to share his story on film and it was a powerful moment when the program transitioned from his story to hundred’s of children singing Here I am to Worship.

The production design was inspired by Adam Kring’s Christmas opener from NewSpring’s program last year. We used four panels of black backdrop, a Lowel lighting kit, one par can for extreme back lighting, and a bunch of christmas lights to achieve the look. Cameras we used were: Canon 7D (50mm 1.8), Canon 60D (16-50 2.8), and the Panasonic HVX.

One Solitary Life


This piece was an adaptation of the poem “One Solitary Life” We originally wanted this to be a live element, it would have really added another texture to the whole show. However, when it came down to crunch time, between rehearsals and final edits, we realized it would be easier to shoot and edit than to perform during every service coordinated with music. We sprinkled in some scripture from Isaiah 53 and it turned out to be a very powerful piece.

This was shot in downtown Sewickley, PA in one evening, with a Canon 7d (Canon 55mm 1.8), Cavision shoulder mount, Lectrosonic lapel mic, and a Beachtec Adapter (I usually don’t prefer to run the audio straight into the DSLR but we needed something quick and dirty). The christmas lights made for a great backdrop. Huge thank you to JC Andrews, who is from Arizona, for braving the cold and acting in this video.

Also, quick shout out to Carlos Whittaker on this one, we have been talking about redeeming the past in his coaching network, and this poem was our attempt to reuse a timeless piece in a new way.

Ultimately, this years program was the product of a great team, and great collaboration. We couldn’t have done this without each team member. Everyone played a vital role. I will post something about Kelly Selick’s stage design sometime soon, so be on the look out.

Hopefully this this helped some people. Let me know if you have any questions. What have some of you come up with for your Christmas programs?

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Man Vs. Christmas Promo

In a few weeks, Victory Family Church will be starting the sereis “Man Vs. Christmas” It’s all about keeping Godly priorities in a season of impossible time demands. We really want to save people from the insanity of the season.

Making the Promo
The concept for the piece came from a conversation I was having with someone in the office about putting up Christmas lights (I wish I could remember who it was, but thank you).

The whole piece was shot on a Canon 7d with the Tokina 16-50mm 2.8 lens (except the hand pushing the garage door button, that was the Canon 50mm 1.8). All of the ambient noise was captured with the tiny little on camera mic. I originally wasn’t going to keep the background noise. It wasn’t until post production I realized it added value. My good friend and amazing Pittsburgh wedding photographer Michael Williams was the actor, and helped me set up all the shots (collaboration with him really made the film better).

I really tried to stick to a principal I learned from Vincent Laforet. “One of the surest ways to elevate your video work to being cinematic is camera movement” I used a sweet tripod move I learned from one of his posts to fake a dolly push when Mike goes to grab the box. I also used a wheel chair (which you can see in a couple of shots) to simulate a dolly in the opening shot behind the boxes, and when Mike walks to the garage door.

Anyone else know of any low tech or low budget ways to create come cool camera moves?

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The Groom’s Story

The Grooms are a family that has been attending Victory for around 6 years. Their story is unique, it consists of several intertwined events over several years weaved together by God, and is a great example of how God can change an entire family. I had a lot of fun getting to know all of them while shooting this, they are awesome people!

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Jamie’s Story

This month at Victory Family Church we have been discussing how God changes lives, and uses people like you and me to do it. This week Jamie Hulick shared her story of how failure to see her dreams of fame realized resulted in God interrupting her life.

I have had a blast, and been encouraged so much shooting and producing the stories of people all around the church. These videos are powerful because these people have powerful stories.

We shot this interview and all the b-roll in the church cafe during sunset. The warm twilight rays lit up the cafe and created a an amazing backdrop and setting for this story. The only difficulty was adjusting to the fast moving light of the sun setting.

[Shot on a Canon 7D with a 1.8 50mm lens, and a panasonic HVX200. All audio was captured on a lapel mic to the HVX. I used a 4 in 1 reflector to light the subjects face during part of the video.]

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Photo & Video Tip: The Blurry Background

Have you ever wondered how to take a picture or video and make the background look blurry? In other words, you would like to keep your subject in focus and drop the background out of focus. If this is you, or you want to read a quick little photo/video tip then keep reading.

Having your subject in focus can add value to an image. It can help the viewer focus on what matters, and give an artistic look at the same time.

The overarching principal behind this concept is known as Depth of Field. With deeper your DOF is more of your photo/video will be in focus, and with a shallower your DOF less of your photo/video will be in focus.

I am going to focus on 2 things that you can do to achieve a shallower DOF: Aperture, and Distance.

Aperture

DSLR cameras are everywhere these days, next time your go to the zoo or some sort of event, count how many you see. The cool thing about these cameras is the ability to control the aperture. The aperture determines how much light is let into to the camera, sort of like the pupil of an eye. The aperture is measured in f-stops or f-numbers. This can be tricky I am not going to explain the whole theory behind this, because quite frankly I don’t completely understand it myself. Here is what you need to know: The lower the f-stop/number (1.4, 1.8, 2.2, etc) the more light that comes into the camera and the shallower the DOF, and vice versa. You may want to check to see if your camera has an aperture priority mode (this is often abbreviated A or Av on the mode dial). This mode allows the camera operator to adjust the aperture while the camera automatically compensates for proper exposure by adjusting other settings like: ISO/Gain, and shutter speed.

Distance

Secondly distance plays a role in DOF. Obviously, the further the background is away from your subject, the greater chance you will have to drop it out of your DOF. This is great when you are on top of a hill, or in a wide open space of some sort.

This was a very simple lesson to get you thinking about DOF concepts. There are a lot of other factors that impact the capturing of a great still or moving image like: ISO/Gain, Shutter Speed, and Filters.

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This Pittsburgh Photographer Will Melt Your Face

Michael Williams of Michaelwill Photography is a super creative, extra original Pittsburgh wedding photographer. His passion for the craft coupled with creativity to think outside the box, result in some amazing pictures.

Michaelwill Photography also takes portraits, senior photos, engagement photos, and much more.

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Toot’s Story

Here is a piece I put together about the story of my good friend Larry “Toot” Selick for the series How to Save a Life at Victory Family Church. His story is an awesome example of how God pursues us, and uses people to do it.

Thanks again to Toot for being faithful to what has been entrusted to him. He is changing lives!

[Shot on a Canon 7D with a 1.8 50mm lens, and a panasonic HVX200. All audio was captured on a lapel mic to the HVX]

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